ATOMIC BLONDE** Sub atomic


I’M SURE THERE’S a collective noun for clichés: “ A lobotomy of clichés”? “A cop-out of clichés”? “A don’t-waste-your-money of clichés”? Who knows. But if you’re looking for said clichés, “Atomic Blonde” is the movie to see. The story line is built around the premise that the uber secret list of MI6 and CIA agents has been stolen (Probably the same list stolen in “Mission Impossible I” and stolen again in “Skyfall”). It’s a period, Cold War, piece set at around the time of the destruction of the Berlin Wall (with sets left over from “Bridge of Spies”). Sexy (very) super agent Lorraine Broughton is sent to West Berlin to make contact with fellow agent David Percival (An eyes-rolling, neck-bulging, head-twitching James McAvoy imitating what a rogue agent might look like) to get back the list. All the typical – and expendable – thuggish types are here. And of course, people meet in strobe flashing, techno-thumping clubs where lithe semi nude women writhe around.

There will be blood.

This is John le Carré by way of a self consciously stylish Vogue fashion shoot, repurposed as a video game.

Just say noir.

That said, there are a few highlights: Director David Leitch’s fight scenes (one executed in what seems like an extended single-frame shot) are tremendous. They’re bloody and brutal and have the rapid action bone crunching grittiness of the best of Bourne. And not surprisingly, Leitch was the stunt coordinator on movies like the “Bourne’s” “Wolverine” etc. It’s as though all the staggering silliness of the plot with its multiple double crosses, is just so much foreplay for the fights. And there are many.

The other highlight is Charlize Theron. Here she channels her “Mad Max” mojo to great effect, dominates the movie and even manages to transcend a mindless script. Had it not been for her, this enterprise could well have been simply laughed off the screen. Theron is a tall woman and an absolutely convincing fighter. There’s no feeling of pretense. She’s also naked a lot. Which I’m sure is not at all gratuitous; simply the director’s desire to involve the audience’s empathy with her poor bruised body. Whatever. She’s definitely a highlight.

But in the end, despite her valiant effort and towering presence, “Atomic Blonde” can’t escape the limitations of its confused story, bad writing (from the eloquent pen who brought us “300”), and the absence of anyone resembling a real person. Maybe it’ll all come together in “Atomic Blonde II”.

But I won’t be there to find out

 

ATOMIC BLONDE. Dir: David Leitch. With: Charlize Theron, James McAvoy, John Goodman, Eddie Marsan. Written by: Kurt Johnstad (“300 Rise of an Empire”, “300”) adapted from the graphic novels, “The Coldest City”. Production Design: David Scheunemann

 

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