AVENGERS: INFINITY WAR*** Packs a powerful Punch


IF YOU WERE ever minded to ask, “How many superheroes does it take to screw in a light-bulb”, Avengers: Infinity War provides the dizzyingly delightful answer. There are superheroes every which way…tumbling out of the sky, beating around the bushes and appearing out of thin air. It’s an overflowing cornucopia of gorgeous, scantily clad, quarrelsome, prickly mega beings reluctantly banding together to fight off the Ultimate Baddie.

This is Thanos (Josh Brolin), an existentially powerful titan who eats superheroes for breakfast and who has arrived on earth in search of some hidden, glowing, infinity stones. They will nicely complete the trim of the designer necklace on his superhero gown. With a full collection of said stones, no hodgepodge assembly of avengers (not to mention The Earth) will ever stand a chance. OK. Whatever

How can they possibly win?

The clever trick that (Marvel veteran) directors Anthony and Joe Russo (Captain America: Civil War etc) and writers Christopher Markus (Captain America etc.) and Stephen McFeely (Thor etc.) pulls off is that despite such a stellar collection of superegos and super clashes, the forward momentum of the plot remains clear and propulsive. And, more importantly, we get to tarry long enough with each of the heroes that matter to enjoy their very un-super hero frailties and quirks. Each megastar (and the directors err on the side of the really larger than life characters) is given enough screen time to charm, entertain, amuse and tittilate us.

Indeed, the joy with Avengers etc is that, though it’s still about thirty minutes too long, we get just the right amount of time with the likes of Spider-Man, the Hulk, Dr. Strange etc. whose charms are never quite strong enough to last the length of a full movie.
And it is visually quite spectacular, especially the mega battles in Wakanda. This is the twenty first century’s epic equivalence of Ben Hur.

And as to my snide question, “How can they possibly win?”…We’ll all have to wait until Part 3 lands in a cinema-plex near you sometime just in time for Blockbuster Season 2019. All bets are off

 

AVENGERS: INFINITY WAR Dir: Anthony and Joe Russo. With: Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Scarlett Evans, Don Cheadle, Benedict Cummberbatch, Tom Holland, Chadwick Boseman, Tom Hiddelston, Idris Elba, Peter Dinklage, Vin Diesel etc etc. Writers: Christopher Markus and Stephen McFeely. Cinematographer: Trent Opaloch (Captain America, Elysium), Production Designer: Charles Wood (Dr. Strange)

 

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KONG: SKULL ISLAND** Why? Why? Why? Oh Why?


THE CGI IS great. Or perhaps I should say, at least the CGI, led by veteran SFX veteran, Chris Brenczewski, is great. And a buff Tom Hiddleston tries hard (unconvincingly) to beef up his Bond credentials in this unnecessary, forgettable, often risible monster movie.

The fundamental problem with “Kong: Skull Island” is that though the director (Jordan Vogt-Roberts) assaults us with mega monsters, an ape the size of a ten story building, thunderous explosions and helicopters piloted by silly pilots who fly into certain death, he makes no attempt to build suspense, create interesting characters or even terrify us out of our wits. Perhaps, I am therefore concluded to suggest, all directors, or the producers who green-light monster productions like this, should be made to sit a written exam after studying the genius of Spielberg’s original “Jurassic Park.”

Now here’s a movie that fully shows up the awfulness of “Kong: Skull Island” when you remember all the magnificent touches it had that “Kong: Skull Island” is too lazy and too cynical to bother with. Remember the hold-your-breath tension when the two kids are in the kitchen hiding out from those toe-tapping velociraptors? No such tension here. Remember the multiple and very human relationships between the flawed adults and the kids…the greed (and wonderful cummupance) of the would-be thief? No such human-kind lives on this movie planet. Kong’s people are mainly gorilla food or very fast runners (with tight shirts), with a stock in trade bad guy (Samuel L. Jackson in full-bore cartoon role) and a pretty girl in a very tight top (Brie Larson really slumming it after “Room”). Remember Spielberg’s effort to lull our disbelief in the actual do-ability of recreating dinosaur DNA and the thoughtful sub-plot about not messing with nature? No such effort here. It’s a big ape living among big fantasy monsters. Take it or leave it.

So…it lacks tension, lacks scream out loud moments, lacks likable or evenly hisssssably nasty people and offers instead a storyline that shreds any semblance of logic…It lacks the pretence of making any sense. It seems that it’s also lacking a good return on the $325m it took to get it to our screens.

And all of that could have been avoided had director Jordan Vogt-Roberts (no past movies of any repute to mention) writers Dan Gillroy (“The Bourne Legacy”), Max Borenstein (“Godzilla”!), Derek Connolly (“Jurassic World”) and John Gattins (“Flight”) and the ten producers, taken the simple “Follow these Jurassic Park Rules” exam before cameras rolled and Tom was made to make such a fool of himself in public

 

KONG:SKULL ISLAND. Dir: Jordan Vogt-Roberts. With: Tom Hiddleston, Samuel L. Jackson, Brie Larson, John C. Reilly, John Goodman. Cinematogapher: Larry Fong (“Batman v Superman”). Production Designer: Stefan Dechant (his first movie as head of production design). Special Effects set coordinator: Chris Brenczewski (“Jurassaic World” “Avengers Assemble”)